Classic artwork
In an innovative move, the works are ordered according to how long after the event they were created from moments, days and weeks to decades later. Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War https://voltage.bet/sports-betting/. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect…
Simon Norfolk (British born Nigeria, b. 1963) Bullet-scarred apartment building and shops in the Karte Char district of Kabul. This area saw fighting between Hikmetyar and Rabbani and then between Rabbani and the Hazaras 2003 © Simon Norfolk
While the images allow increasing passages of time between events and the photographs that reflect on them – “made moments after the events they depict, then those made days after, then months, years and so on” – there settles in the pit of the stomach some unremitting melancholy, some unholy dread as to the brutal facticity and inhumanness of war. The work which “pictures” the memory of the events that took place, like a visual ode of remembrance, are made all the more powerful for their transcendence – of time, of death and the immediate detritus of war.
Ms. Ractliffe, who lives in Johannesburg, took the photographs in 2009 and 2010 in Angola on visits to now-deserted places that were important to that country’s protracted civil war and to the intertwined struggle of neighbouring Namibia to gain independence from South Africa’s apartheid rule. South Africa played an active role in both conflicts, giving military support to insurgents who resisted Angola’s leftist government, and hunting down Namibian rebels who sought safety within Angola’s borders.
Chloe Dewe Mathews (British, b. 1982) Former Abattoir, Mazingarbe, Nord-Pas-de-Calais 2013 Eleven British soldiers were executed here between 1915-1918 From the series Shot at Dawn © Chloe Dewe Mathews
Cover image
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Enhance your LinkedIn profile with a polished, tailored cover photo that aligns with your professional image. Showcase your expertise and set the tone for your profile with a design that speaks to your career achievements.
Yes, there are a variety of design generators available on Venngage. Along with the AI Cover Photo Generator, Venngage offers tools to create infographics, social media posts, reports, and more. These AI design tools are easy to use and customizable, helping you generate professional visuals quickly to match your style and needs.
Film graphic
The movie depicts the life of Julie Powell, an American blogger who vows to create the popular chef, Julia Child’s 526 recipes in 365 days. As you can imagine, this is no easy feat. And so starts an epic journey of motivation, conviction, inspiration, and strength.
“Landing your next job is quite exhilarating! If it’s a new production designer, before I interview or when I get the call, the very first thing I do is research him or her and the director. That sets the time for the approach of the project. Once the deal is made, it’s time to dig in after the NDA is signed. I would read the script to get an overall scope of the movie, but immediately go back to take carefully detailed notes. Every word and scenario has to be interpreted and cross-checked with the production designer because he would already have an idea of the graphics. My hope is that we would be on the same path or at least close. When there are specific scripted terms or descriptions that need further clarification, we then go to the director and writers.
Kerrie Hughes is a frequent contributor to Creative Bloq, and was once its editor. One of the original CB crew, Kerrie joined the team back in 2013 after moving from her role as staff writer on 3D World. Since then she's written regularly for other creative publications such as ImagineFX, Computer Arts and Digital Camera World. After a stint working for the police, Kerrie is back reviewing creative tech for creative professionals.
The movie depicts the life of Julie Powell, an American blogger who vows to create the popular chef, Julia Child’s 526 recipes in 365 days. As you can imagine, this is no easy feat. And so starts an epic journey of motivation, conviction, inspiration, and strength.
“Landing your next job is quite exhilarating! If it’s a new production designer, before I interview or when I get the call, the very first thing I do is research him or her and the director. That sets the time for the approach of the project. Once the deal is made, it’s time to dig in after the NDA is signed. I would read the script to get an overall scope of the movie, but immediately go back to take carefully detailed notes. Every word and scenario has to be interpreted and cross-checked with the production designer because he would already have an idea of the graphics. My hope is that we would be on the same path or at least close. When there are specific scripted terms or descriptions that need further clarification, we then go to the director and writers.
Kerrie Hughes is a frequent contributor to Creative Bloq, and was once its editor. One of the original CB crew, Kerrie joined the team back in 2013 after moving from her role as staff writer on 3D World. Since then she's written regularly for other creative publications such as ImagineFX, Computer Arts and Digital Camera World. After a stint working for the police, Kerrie is back reviewing creative tech for creative professionals.
