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2025年9月30日17:25:57随笔评论3阅读模式

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Live theater offers a real-time, shared experience between performers and the audience. The immediacy of the performance, the energy in the room, and the unpredictability of live action contribute to its uniqueness shazam no deposit bonus codes.

Plot stands as the paramount component in a narrative, encompassing the events within a play and the sequence in which these events unfold. There is no exact method to structure a drama; nonetheless, the effectiveness of a drama's structure relies on its deliberate formation to evoke the intended response from the audience.

De straten van Londen zijn verrijkt met honderden kleine, grote en immens grote zalen. Het kloppend hart van dit alles is West End. Er gaat niets boven een middag of avond in een Londens theater. Een genot om te ervaren en te zien hoe bekende en onbekende performers met hun passie omgaan. Zelden een valse noot, altijd vol gedrevenheid.

Though the word theatre is derived from the Greek theaomai, “to see,” the performance itself may appeal either to the ear or to the eye, as is suggested by the interchangeability of the terms spectator (which derives from words meaning “to view”) and audience (which derives from words meaning “to hear”). Sometimes the appeal is strongly intellectual, as in William Shakespeare’s Hamlet, but the intellectual element in itself is no assurance of good theatre. A good performance of Hamlet, for example, is extremely difficult to achieve, and a poor one is much less rewarding than a brilliant presentation of a farce. Moreover, a good Hamlet makes demands on the spectator that may be greater than what that spectator is prepared to put forward, while the farce may be enjoyed in a condition of comparative relaxation. The full participation of the spectator is a vital element in theatre.

empire of the sun artwork

Empire of the Sun artwork

Shomei Tomatsu (Japanese, 1930-2012) Atomic Bomb Damage – Wristwatch Stopped at 11.02, August 9, 1945, Nagasaki 1961 Gelatin silver print on paper 253 x 251mm Tokyo Metropolitan Museum of Photography, Tokyo

Chloe Dewe Mathews (British, b. 1982) Vebranden-Molen, West-Vlaanderen 2013 Soldat Ahmed ben Mohammed el Yadjizy Soldat Ali ben Ahmed ben Frej ben Khelil Soldat Hassen ben Ali ben Guerra el Amolani Soldat Mohammed Ould Mohammed ben Ahmed 17:00 / 15.12.1914 From the series Shot at Dawn © Chloe Dewe Mathews

Chloe Dewe Mathews (British, b. 1982) Former Abattoir, Mazingarbe, Nord-Pas-de-Calais 2013 Eleven British soldiers were executed here between 1915-1918 From the series Shot at Dawn © Chloe Dewe Mathews

“This is one of the first episodes of mass tourism in the history of the world,” explains Baker. “There were 300 million postcards sent from the western front, for instance by people visiting the places where their relatives had died. And the photographers had to make these incredible compromises: making photographs of places that weren’t there anymore.”

Conflicts from around the world and across the modern era are depicted, revealing the impact of war days, weeks, months and years after the fact. The works are ordered according to how long after the event they were created: images taken weeks after the end of the American Civil War are hung alongside those taken weeks after the atomic bombs fell on Japan in 1945. Photographs from Nicaragua taken 25 years after the revolution are grouped with those taken in Vietnam 25 years after the fall of Saigon. The exhibition concludes with new and recent projects by British, German, Polish and Syrian photographers which reflect on the First World War a century after it began.

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